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The comma has a way of bedeviling even the most careful of writers, particularly when grammarians can’t come to an agreement on even its most basic function—that of separating elements in a series.

But I digress. Let’s talk about when not to use a comma. More specifically, let’s talk about what’s wrong with the following sentence:

My home was designed by architect, Steve Clark.

I see this a lot, and I’m not sure why. Architect is a nounal adjective modifying Steve Clark. In that sense, it’s no different from any other adjective. Like brown, or enormous, or droopy. Yet you wouldn’t normally see something like this:

Just beyond the brown, house was an enormous, willow tree with droopy, branches.

See? Doesn’t work. Let’s look at another example:

Noted composer, John Cage, would have celebrated his 100th birthday this year.

Noted is an adjective; composer is a noun. Together, they form an adjectival phrase that modifies John Cage. In principle, that phrase is no different from a single-word adjective that likewise serves as a modifier—like, say, controversial or minimalist, neither of which would require a comma in the above example. So let’s fix it:

Noted composer John Cage would have celebrated his 100th birthday this year.

Much better, don’t you think?

posted by Aaron Bragg
January 25, 2012

Buckle Up

It pains me to admit it, but words aren’t always necessary to deliver a compelling message.

posted by Aaron Bragg
January 24, 2012

“…the condition of encroaching ignorance.”

Philosopher Stan Persky says that the “social purpose of reading books is to become a more effective participant in creating a better world.” A bit much, perhaps, but he’s surely correct in suggesting that certain books “can provide a sufficiently sustained reading experience that makes possible informed engagement with the political, cultural, and moral issues of our time.”

The problem? Facebook, Twitter, YouTube, and Angry Birds. More about the impending idiocracy.

posted by Aaron Bragg
January 10, 2012

Men, You Might Not Want to Read This

From today’s edition of the Charlotte Observer:

There’s a perfectly good explanation, of course. Which is probably why Baron Davis is being such a good sport about it. Still…it sounds mighty painful.

posted by Aaron Bragg
January 4, 2012

Beware the Dangler

Sound advice on dangling modifiers from The New York Times. Be sure to glance through the comments that follow, where you’ll find everything from the moronic (“There is no need of rigorous grammatical proofreading in everyday NYT articles.”) to the sublime (“I look forward to a future column on the collapse of agreement between collective nouns and the pronouns that follow them.”).

Oh, and happy new year.

posted by Aaron Bragg
January 3, 2012

A Confession

Having made my feelings about Twitter known on at least two occasions (here and here), it pains me somewhat to admit that I’ve actually tried it. And no, it wasn’t horrifying.

Let me be clear: I don’t tweet. That would be dumb. I do, however, follow a couple of people whose viewpoints I respect and who often learn of things before the rest of us do. It was from Twitter, in fact, that I first heard of the deaths of Hitchens, Havel, and that North Korean whack-job…Kim something or other.

Favorite feed so far? Grammar Monkeys. They’ve been having some fun with verbing this afternoon:

“The pilot was a Federal Flight Deck Officer, permissioned by the U.S. Transportation Security Administration to carry a firearm.”

“You’d rather obsolete yourself a little bit than have someone else do it,” McNerney said.

“Traffic-copping the situation was a Coast Guard unit established after Katrina…”

These are so outrageously bad I thought they were made up. Sadly, they’re real. The first is from a Reuters wire report; the second, Boeing CEO James McNerney; the third, AP writer Alan Sayre.

Makes you wonder if these guys have to wear a helmet when they go outside.

posted by Aaron Bragg
December 20, 2011

RIP, Mr. Hitchens

Christopher Hitchens has succumbed to cancer. Few writers of our age could turn a phrase like Hitch—a man who, frankly, would have sneered at the encomiums occasioned by his death. A contrarian by nature and an atheist by design, he would’ve really hated his passing being marked by Arvo Pärt’s “Da Pacem Domine” (Grant peace, Lord). But the sentiment stands.

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posted by Aaron Bragg
December 16, 2011

If Only It Were That Easy…

According to this site, a short story I published back in August has a “bestseller score” of 19 out of a possible 20. And since they use “statistical analysis,” why, it must be true. Thanks, science!

posted by Aaron Bragg
December 15, 2011

Ask Dr. Grammar!

Here’s a bit of a stumper: is it “myriad” or “myriad of”?

The thing is, it’s not that simple.

For a long time, myriad was just a noun—as in “a myriad of bacon burgers.” Then, some time around the 19th century, poets turned it into an adjective: “myriad dancing girls.”

While both uses are acceptable in formal writing today, we at the last word prefer the adjective form, since it communicates the same meaning with two fewer words. Lest you think our preference for the more recent usage means we’ve become a bunch of feckless descriptivists, however, keep in mind that the original Greek meaning is “10,000.” And since numbers are usually adjectives, well…it helps us sleep at night.

posted by Aaron Bragg
December 14, 2011

The Microeconomics of Poetry

Thinking of going back to school to get that MFA? If it’s the life of a poet you’re yearning to live, you might want to reconsider.

A couple of highlights:

  • One of the best-selling poetry books of 2011 earned its author less than $4,400.
  • The Paris Review—a publication whose acceptance rate is likely around 0.1%—pays $75 per poem.
  • Over the past decade, the number of poetry MFAs awarded has doubled. Coincidentally, it’s also twice the number of actual jobs available to people with MFAs in poetry.

There are easier ways to make a buck.

posted by Aaron Bragg
December 12, 2011