On the Dignity of Work

What I’ve long suspected—that American literature these days is dominated by a bunch of MFA-degreed Nancy boys who publish in prestigious literary magazines that nobody reads—turns out to be true, according to this essay by Gerald Howard.

Given my work history, which includes stints as a farm hand, construction laborer,  janitor, and Subway Sandwich Artisan™, it seems there really is no excuse for my inability to write a decent short story.

posted by Aaron Bragg
September 30, 2010

How Not to Write Criticism

As someone who once scraped together a modest living as a music critic, I found the premise behind this diatribe intriguing—until the whole thing quickly became predictable.

The author relies on a single criterion for determining if art is worthy of his esteem: whether he likes it. That’s all well and good, I suppose, except that he points to Damien Hirst—the hack whose “art” includes the suspension of dead animals in solutions of formaldehyde—as one who creates “art for the ages.”

Then there’s the tiresome adulation of the Beatles, the self-aware “to me, [insert popular fiction writer here] is light reading,” the tendentious claim that art has to blow his mind in order for it to be considered “good.”

Yawn.

Here’s a good rule of thumb for aspiring critics: drop the pretense before you write. Oh, and get out more.

posted by Aaron Bragg
September 29, 2010

Where Did You Go to Cropping School?

For years I’ve been asked the question, “Is it okay to crop a person’s forehead?” Maybe it’s time to shed some light on the subject of portraits and people cropping.

The short answer is, yes, it’s okay. In fact, there are no formal cropping rules whatsoever. The only guide I follow is doing whatever makes a person (or personality) more interesting and fits the required space. But some folks are under the impression that you should never crop out any part of a person’s head, hair, etc. That’s a valid approach—if the portrait is meant for the FBI’s “most wanted” list. Or if it’s for your daughter’s senior portrait in her high school yearbook, which no doubt required some serious mirror time and expense. The only other situation in which standard cropping is acceptable—well above the head, beyond the ears, and well below the chin—is when it’s for your ID badge or your driver’s license. But do any of us really expect those pics to be good?

I have no idea why this topic is so sensitive. But I’ve been asked to un-crop photos of some very important people (usually the client’s client, or the client’s boss), because I violated the driver’s license rule. To demonstrate my point, take a look at the pics below (with apologies for using yours truly as a subject—but this keeps it safe). So which one do you like?

posted by CK Anderson
September 22, 2010

Write with Clarity

I’m normally not a fan of burning books, but I think I’d make an exception for The Associated Press Stylebook (“More than 2 million copies sold!”). That so many otherwise serious institutions continue to abide by its arbitrary and specious rules is a continual source of amusement to me; that so many adults are unable to write clearly due to its predominance in public education is an unmitigated disaster.

Consider the possessive. Strunk & White treat it thusly:

Form the possessive of singular nouns by adding ‘s. Follow this rule whatever the final consonant. Thus write,

Charles’s friend
Burns’s poems
the witch’s malice

Simple. Elegant. And easily understood by the reader. Contrast that with the AP’s instructions, which, in my 2004 edition, contain no fewer than five variations for singular nouns alone (out of sixteen total, including “nouns plural in form, singular in meaning,” “quasi possessives,” and “inanimate objects”).

As is the case with the serial comma, the AP is chiefly interested in saving space in newspapers—creating room for more advertising—rather than in its journalists writing something that can actually be read.

Got a light?

posted by Aaron Bragg
September 15, 2010

The Most Important News You’ll Read All Day

By way of apologizing for the lack of posting over the last week or so, I’ve decided that today is a day for fun and frivolity. To wit:

There now. We’ll be back to our regularly scheduled programming in no time.

posted by Aaron Bragg
September 14, 2010

Quote of the Day

In my career as a professional writer, few qualities have been so needlessly celebrated by those around me as consistency. At an advertising agency I once worked at, in fact, there was an account executive who insisted on repeating a printed grammatical error in all subsequent pieces—because to not do so would be inconsistent.

With that in mind, I offer up the following from Aldous Huxley: “Consistency is contrary to nature, contrary to life. The only completely consistent people are dead.”

Word.

posted by Aaron Bragg
September 3, 2010

Oh, to Be Normal

A couple of weeks ago I was visiting the Maryhill Museum of Art—worth the drive for the Rodin collection alone—and learned that Sam Hill, railroad executive and founder of the museum, had a rather intense friendship with Queen Marie of Romania.

I’m sure the museum’s collection of the queen’s royal memorabilia (coronation gown, crown, jewelry, etc.) is fabulous; the problem is, all that went through my mind as I toured the exhibit was this little ditty by Dorothy Parker:

Oh, life is a glorious cycle of song,
A medley of extemporanea;
And love is a thing that can never go wrong,
And I am Marie of Roumania.

I proudly recited the poem to each of my kids. One responded by rolling her eyes, the other by heading for the nearest exit.

posted by Aaron Bragg
September 1, 2010